Bittersweet Page 5

  Lugging a basket, Sarah picked her way through the cut in the snow to the schoolmistress’s house. “Sare, you riding back with me?” Sarah looked up to see Sam Ebbitt smiling down from the seat of his carryall. “Your pa said it’d be okay.”

  “I got to see Miss Grelznik,” Sarah excused herself.

  “Suit yourself,” he said shortly, then shook the reins and drove out past Joseph Cogswell’s shay, where it was pulled up near the school. Karen stood nearby, adjusting her fur-lined hood.

  Sarah saw her and started to call out, but the “Merry Christmas!” died on her tongue as Earl Beard materialized from the shadows. He held Karen’s waist as, simpering, she clambered heavily into her father’s shay.

  “Karen! You come away from there,” Joseph Cogswell hollered from the school steps. His daughter gave him a stare of such contempt that he finished lamely, “Sarah Mary’s wanting to talk to you.”

  Earl sauntered off in the direction of the town.

  As her beau deserted her, Karen shot Sarah a mean look. “What do I care? Sarah Mary’s such a child.”

  Sarah looked away, pretending not to have heard, and hurried to Miss Grelznik’s door.

  The little house at last looked like a home. Imogene’s furniture had arrived from Philadelphia intact; the dining table and the chest of drawers bore scars from the journey, but nothing had been lost or destroyed. The high-backed mahogany rocking chair from which her mother had ruled the house sat in its place before the fire; heavy oak trunks stood guard on either side of the fireplace, collecting knickknacks; a squat rolltop desk in the corner under the window harbored writing supplies; the rickety table and broken ladder-back chairs had been replaced with a cherrywood table and two graceful chairs with thin, curved arms. The cot was gone from the bedroom, and the old, well-oiled furniture Imogene had had since childhood crowded the small space. There were two pictures: over the bed, a portrait in an oval frame of her mother as a girl, and on the chimney above the mantel, a painting of Ralph Waldo Emerson.

  Imogene lit the lamps and put the kettle on. As she settled down with her tea, there was a timid knock at the door; Sarah Tolstonadge stood on the front step, holding in both hands the same basket she and her mother had brought Imogene the first morning.

  “Sarah. Come in where it’s warm.” Sarah stepped over the doorsill and tripped on the hem of her dress. She would have dumped the contents of the basket onto the floor if it hadn’t had a new lid, a homemade wooden flap hinged in the middle and fastened on both ends. Sarah righted herself and the basket and stood tonguetied. Imogene reached out to help her but she clutched the handle tightly, her eyes fixed on her hands, and didn’t see the gesture. “Would you like to set the basket down? It looks pretty heavy,” Imogene suggested.

  “Oh! Yes, ma’am. It’s for you—the inside—Mam wants the basket back.” Sarah thrust it at her, blushing. Imogene set it on the trunk under the window. Sarah made no move to go, but stood near the door, pleating and unpleating a fold of her cloak. Imogene smiled.

  “Would you stay for a cup of tea, Sarah Mary?”

  “I gotta stay till Ma’s done cleaning up.” She looked up. “I didn’t mean it like that, like it sounded.” She stumbled over her words. “What I mean is yes, please, I’d like a cup of tea, ma’am.”

  Imogene left her alone and went into the kitchen to fetch another cup. “You can hang your cloak by the door if you like,” she called back. “and take a look around. You’ve not been here since I got my things.”

  “No, ma’am. I mean, yes, ma’am, I will.” Sarah took off her wrap and draped it over the nail. The sleeves of her bodice were frayed and too short for her arms; the hem of her dress had been let down, and a dark circle ringed the skirt where the old crease had been. Sarah pulled at the cuffs, trying to make them cover her wrists. Giving up, she clasped her hands behind her back as though they might dart out and break something of their own volition, and look around curiously. Her eyes lighted on the basket and she carried it a bit nearer the fire. “There you go,” she whispered, setting it down carefully by the hearth.

  Imogene came out of the kitchen with the tea things and a hot-pad. She lifted the kettle off the hook and poured hot water over the tea. “Honey?”

  “Yes, please.”

  They sat by the fire, Imogene in the rocker and Sarah Mary on a small stool near her. Imogene looked at the basket.

  “It’s from Mam and me,” Sarah said into her teacup, “and everybody else.” There was a pitiful cry from the direction of the fireplace. Imogene looked perplexed and knelt by the fire, peering up the chimney. Sarah laughed delightedly. “There’s a little cat in the basket.”

  Imogene stared stupidly at it. There was another cry, louder and more long-suffering. “A kitten?”

  Sarah laughed again.

  “Let’s let it out, shall we?”

  The girl scrambled after the basket and dragged it onto the hearth rug between them. “I bet she’s mad; Pa wouldn’t let me bring her in ’fore the supper and the bee. She’s been hid under the wagon seat. Gracie wrapped a horse blanket around her so’s she wouldn’t get too cold—that’ll account for any wrong smells,” Sarah chattered on, forgetting herself for a moment. She lifted the lid half an inch and immediately a yellow paw was thrust out. Imogene laughed and ran her finger along the straw so the kitten would reach out for it.

  Sarah lifted the lid, took out a short-haired orange tiger kitten, and set it on Imogene’s lap. “She’s rare because she was born in November, and cats hardly ever litter in the winter like that.”

  Imogene stroked the fat little belly and instantly the cat began to purr. “I’ve never had a cat.” She tickled it and laughed as it tried to catch her fingers. “What do I feed it?”

  “Milk and scraps. When she gets older she’ll catch mice for herself. She was Pa’s idea. Pa said you ought to have a cat because you might have mice and you were an old—” Sarah turned brick red.

  “An old-maid school teacher.”

  “Yes, ma’am.” The girl whispered. She was all thumbs again and slopped her tea when she picked it up; she set it back on the hearth untouched.

  Imogene smiled. “Cat got your tongue?”

  “I don’t know, ma’am.” Sarah started picking at the fabric of her dress; her voice was so low that Imogene had to lean forward to hear her.

  “You’re shy, aren’t you?”

  “I guess so.”

  “Is that why you misspelled ‘house’ at the spelling bee just now? So you could sit down?”

  Sarah looked up. “How did you know?” Imogene smiled and petted the kitchen; it had gone to sleep curled up in her lap. “I was afraid you’d just think I was stupid or something,” the girl rushed on. “Everybody does, except maybe Mam and David. Sometimes I think I really am stupid.”

  “You mustn’t ever let anyone tell you you’re stupid,” Imogene declared. “You’re a very bright young lady.” Her vehemence startled Sarah, and the girl’s face firmed into the finer lines of womanhood for a moment. Imogene took her chin in her hand. “And you’re going to be very pretty. I have a gift for you as well. I was meaning to give it to you as soon as school started again. Shall I give it to you now?”

  “If you’d like,” Sarah murmured politely.

  Imogene laughed. “That wasn’t a fair question. I’d like.” She handed the kitten to her guest and left the room. A minute later she returned with an oblong wooden box, the surface scratched and dulled with use. She joined Sarah on the hearth rug. “Here, you open it.”

  Sarah took the box gingerly in both hands and lifted the lid. Rows of bright colors, arranged in the spectrum from white through the deepest midnight blue, bordered a narrow trough containing two fine-tipped sable brushes.

  Sarah let out a long breath. “Paints. Real paints.” Her eyes lit up as she ran her fingers over the box and delicately stroked the brush tips. “They must have cost a lot.” The thought caught her up short. “I oughtn’t to take them…”

&nbs
p; “Take them, Sarah. You’re an artist. You need good tools. I never had the talent for watercoloring. They were wasted on me.”

  Sarah smiled. “An artist,” she repeated, pleased. “Can I show you something?” she asked suddenly, and pulled a bundle from her pocket: two flat bits of wood, a couple of inches square, fastened together with string. The wood protected a small square of paper. “It’s a miniature,” Sarah explained. Drawn in pencil was a three-quarter view of Imogene’s face. The drawing was beautiful. In the tilt of the chin and the angle of the jaw, Sarah had captured Imogene’s strength and intelligence.

  “Sarah, you are truly an artist,” Imogene marveled. “This is exquisite. May I have it?”

  “I’ll make you a better. Would you sit for me?” Sarah asked shyly.

  “Of course.”

  “You would! Miss Grelznik, it will be truly good this time. With colors.” Impulsively she kissed the woman’s cheek.

  There was a sharp rap on the door. Imogene jumped to her feet, her skirts upsetting the teacup. The kitten ran underneath the rocking chair, and Sarah dabbed at her tea-soaked dress.

  “Dear me.” Imogene took out her handkerchief to help mop up, but her hand was shaking and she let it drop to her side. “I’m terribly sorry. Are you all right?”

  “Yes, Miss Grelznik. Mam’ll get the stain out fine.”

  It was Mr. Tolstonadge calling for his daughter. Imogene thanked him for the kitten and wished them all a merry Christmas. She stood at the door watching as they helped Mam into the wagon. Mrs. Tolstonadge’s considerable weight rocked the wagon and set the bells on it ringing. The rocking and the ringing had Margaret Tolstonadge laughing, and when she laughed, the children couldn’t help but laugh with her. Sarah pushed from behind and Emmanuel and the little girls tugged from the wagon, calling out encouragement. Walter steadied the team and looked miserably self-conscious.

  Imogene closed the door on the families and the couples going home to their Christmas trees and fires. She turned her back and leaned against the wood. A tear rolled to the end of her nose and she rubbed her face vigorously and sat down at her desk in front of the window. Lighting the lamp, she started to write. The kitten crept out from under the chair and jumped onto her lap.

  My beloved Mary Beth, she began in a clear, bold hand, I have been so cold, so alone, without you next to me, warming my heart. Imogene read the words back and barked a humorless laugh. “Don’t commit your soul to the public post, my girl,” she said aloud. “Darrel Aiken’s cry of ‘unnatural woman’ will hound you to the ends of the earth. Which cannot be too awfully far from Calliope, Pennyslvania.” She balled up the paper and began again in cramped, schoolmarmish script: Dear Mary Beth, I hope this letter finds you well and in good spirits…

  When she was finished, she signed the letter, looked down at the sheets of foolscap covered with her neat, restrained handwriting, then crushed them and stared into the lamp for several minutes with dry, unfocused eyes. The kitten stirred on her lap and she looked down. “I’ll get you a little something to eat soon.” She scratched the soft ears. “You’re a dandy present for an old-maid schoolteacher, aren’t you?” The cat yawned audibly and she smiled. “Dandy.” The kitten stretched, peeping over the edge of the desk, ears flattened against some unseen enemy. A yellow paw shot out, patting at the foolscap still wadded up in her hand. “Discerning little creature, aren’t you?” Opening her fist, she smoothed the pages and, folding them, thrust them quickly into an envelope.

  She scribbled Mary Beth Aiken, 72 Elm Street, Philadelphia, Pennsylvania on the face. She printed her return address in the upper left-hand corner, then hastily crossed it out, marking and overmarking until it was illegible. Having sealed the envelope, she slipped the letter into her pocket and let herself out into the night.

  7

  STUDYING HARD TO EARN TIME TO WATERCOLOR, AND TO PLEASE Miss Grelznik, Sarah passed the winter quickly. Imogene’s attention and Sarah’s added zeal made up for the sketchy education of previous years, and by May, Sarah, at fifteen and a half, was ready to graduate from the eighth grade. She was second in her class.

  There were six graduates, and the small school could scarcely contain the friends and families that had come to attend. They spilled outside, visiting with one another and watching the black clouds, big-bellied with rain, make their slow advance. The storm that had been just lace on the horizon at noon now covered half the sky. A breeze, rich with the smell of rain, ruffled the women’s light shawls and teased at their bonnets.

  By the time the people were assembled indoors and quiet, the rain was falling. It came down in torrents, pounding against the roof and darkening the windows. Imogene raised her voice to be heard over the din and formally introduced the graduating students; each stood as she said his or her name.

  “It is traditional at commencement to ask those who have received the best grades to give a speech. Jana Jenkins is our valedictorian, and Sarah Mary Tolstonadge our salutatorian. Salutatorian will go first.” Shyly, Sarah stared at the floor. “Sarah?” Imogene urged. Shooting Imogene a last, frightened glance, Sarah stood and stared at the crowd of familiar faces. She stepped forward slowly, the color draining from her lips. Her hands were shaking, rattling the sheets of paper on which she had written her speech. She bent her head over the page and began in a low, dry voice. “The class of 1874…”

  “Teacher’s pet!” Karen hissed over the drone of the rain, and smiled sweetly at Imogene.

  Sarah looked up.

  “Go on,” the schoolteacher said quietly. Sarah stared blindly at the sheets of paper clenched in her hands, desperately trying to find her place. The silence grew and stretched taut. Sarah’s throat was working as though she were trying to swallow, her eyes hard and frightened. The blood drained out of her cheeks and she started to sway. Sam Ebbitt began to clap, then Mam took it up. A wave of palpable relief swept the room as applause caught on and built. Sarah stumbled to her seat. She didn’t raise her eyes even when Imogene gave out the diplomas, and when the ceremony was over, she pushed her way through the congratulating hands and darted out into the rain.

  Imogene found her huddled by the firewood under the lean-to behind the school. She rested her hands on the low crossbeam and leaned down to look in, rain darkening her dress. “Sarah Mary,” she said gently, “why don’t you come out of there? It’s awfully cold and wet.” Sarah covered her face with her hands, and her sobs broke out afresh. “May I come in, then? I’m getting soaked to the skin.” Sarah nodded wordlessly and Imogene crawled under the low shelter, dragging her skirts through the mud, and sat silently by, hugging her knees and watching the rain. Sarah wiped her eyes, sniffling.

  “I’m sorry, Miss Grelznik.” Her voice was a thread of sound, rough with crying.

  “What for?”

  Sarah looked at her with red-rimmed eyes. “You’re not ashamed of me?”

  “No, never ashamed.” Imogene stroked her tear-streaked cheek. She took Sarah’s wet head and rested it against her shoulder, smoothing her hair. “You mustn’t ever think that.” Sarah started to cry again, quietly, without the wrenching sobs. Imogene held her, murmuring soft words.

  “I don’t want to graduate,” Sarah burst out. Imogene tilted the girl’s face up so she could see it.

  “What do you mean, Sarah?”

  “I won’t see you anymore if I’m not in school. There’ll be no one to teach me about painting. Miss Grelznik, you’re the only one that understands me,” she cried.

  Imogene suppressed a smile. “Nonsense. You’ll see me. I’ve grown very fond of you.” She stroked the soft hair.

  “Miss Grelznik, I’m real fond of you, too,” Sarah declared.

  Imogene laughed nervously and pulled herself free from the girl’s warm embrace. “Now that you’re no longer a student, you must call me ‘Imogene,’ ” she said, to change the subject. “We’ll be peers.”

  Sarah didn’t know what a peer was, and didn’t ask. She wasn’t to be comforted. “Will I reall
y still see you?” she insisted.

  “I will tell you what,” Imogene replied. “I’m going to Philadelphia in a few days—I’ve business there—but as soon as I come back, I want you to pay me a call. Will you do that?”

  “The minute I hear you’ve got back.”

  “Will you come inside with me now? The people have all gone,” Imogene reassured her.

  Sarah dried her eyes with her sleeve, pushing the hair back from where it lay plastered to her forehead as Imogene eased out of the shed and pulled herself upright. She extended her hand to Sarah, helping her to her feet.

  “You’re strong!” Sarah gasped.

  “It compensates for being so tall,” she said wryly.

  Sam Ebbitt was sitting under the canvas of his covered carryall. He started over as soon as he saw them.

  “Is Margaret gone?” Imogene asked.

  “I told ’em to go ahead on, I’d stay for Sare.” He combed his beard with his fingers; he wasn’t quite forty, and already it was streaked with gray. He hefted Sarah onto the front seat. She lurched, catching hold of his shoulders, her sodden skirts fettering her legs.

  The rain poured down, pulling hanks of Imogene’s hair free form her bun and pasting them to her cheeks. She laid her hand on Sam’s arm. “Could I have a word with you, Mr. Ebbitt?” she asked. He looked at her expressionlessly, water dripping from his hat brim. “It’ll only take a moment.” He followed her from the wagon.

  “Thank you for starting the applause this afternoon,” she said.

  “Women ought not to be in schools. Making a spectacle of themselves. Embarrassing everybody. It goes against good sense.”

  Imogene’s breath went out of her as though he’d slapped her. She pulled herself up straight and looked down at him. “I am a woman, Sam Ebbitt, and I make my living as a teacher. In school.”

  “You couldn’t get a husband,” he said bluntly, “and you got a right to live. That’s a different thing.” Imogene bit her bottom lip until it showed white around the edge of her teeth. Abruptly she turned and went into the house.